The Art of Sci-Fi: 80 Years of Movie Posters

A new art exhibit combines art and science as it explores 80 years of science fiction movie posters. See the styles of different artists from Argentina and the United States to Germany and Japan.

Published May 1, 2006

By Fred Moreno
Academy Contributor

Ever since science gave birth to the cinema more than a century ago, the link between the two has often been intimate and exciting – and sometimes rather disturbing. Sort of like the relationship between Dr. Frankenstein and his creation. Countless movies have featured aspects of science and technology, both credible (or almost so) and fantastic (mostly). Just as fanciful is the varied collection of absurdly mad or strangely saintly scientist “heroes” that have populated the movies over the years.

Numerous studies have shown that movies are a major source for what the general public thinks about science and scientists. And just as the films themselves have influenced societal perceptions, so too have their movie posters. With its images of heroic sacrifice, spaceships, other worlds, and scientifically engendered creatures, the movie poster has produced some of the most iconic visual signposts of our time.

Coming Attractions! 80 Years of Cinematic Science: Movie Posters from Around the World, an exhibition in The New York Academy of Sciences’ (the Academy’s) Gallery of Art & Science through June 30, brings together posters for more than 25 movies, including examples from such countries as Argentina, Germany, Japan, Russia, Great Britain, Italy, Poland, and the U.S., among others.

The exhibit includes a British poster for the rerelease of Fritz Lang’s Metropolis; one from France for the American eco-drama, Soylent Green; and an Argentinean poster for the Italian film Mission Stardust. Also represented will be posters for such true-to-life dramas as Inherit the Wind, the thinly disguised rendition of the 1925 Scopes “monkey trial,” and a poster for the glossy American tribute to the medical profession, Not as a Stranger.

Visual Lures

All works in the exhibition come from Posteritati Movie Posters, a New York gallery specializing in international movie art. It has more than 12,000 posters in its collection. The works are used courtesy of Posteritati owner Sam Sarowitz.

“Some of the world’s most talented illustrators, painters, art directors, and graphic designers have produced movie posters,” said Tony Stinkmetal, a filmmaker and screenwriter who is serving as curator for the Academy exhibition. “They have used their fertile imaginations to give us a visual impression of both today’s world and tomorrow’s possibilities while, at the same time, luring us into the theater.”

Mr. Stinkmetal noted that the posters in the exhibition reflected a variety of styles and designs, but that similarities in approach were discernible in works from the same country.

“American and British posters tend to be more direct and traditional, such as the masked surgeon in the Not as a Stranger poster,” he said. “On the other hand, more abstract and conceptual treatments are typical of Eastern European illustrators, such as the cosmic bodywork in the poster for Innerspace of Polish artist Andrzej Pagowski or the stark metallic automaton in the Czech poster for The Terminator.”

Also read: From Imagination to Reality: Art and Science Fiction